Mary laughed. She was busy in a corner with basins and a saucepan. “Of course I do, dearie,” she answered. “I’ve always been fond of company.” “So you wanted to see it with your own eyes,” he said. He laid his hand upon her shoulder, and she had some difficulty in not catching hold of him and clinging to him. She was feeling absurdly womanish just at that moment.!

“Oh, may I?” answered Joan. Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

“Oh, come,” struck in a youngster who was lying perfectly flat, face downwards on his bed: it was the position in which he could breathe easiest. He raised his head a couple of inches and twisted it round so as to get his mouth free. “It isn’t as bad as all that. Why, the Thirty-third swarmed into Fort Malmaison of their own accord, though ’twas like jumping into a boiling furnace, and held it for three days against pretty nearly a division. There weren’t a dozen of them left when we relieved them. They had no ammunition left. They’d just been filling up the gaps with their bodies. And they wouldn’t go back even then. We had to drag them away. ‘They shan’t pass,’ ‘They shan’t pass!’—that’s all they kept saying.” His voice had sunk to a thin whisper. Miss Ensor, whose bump of reverence was undeveloped, greeted him cheerfully as Boanerges. Mr. Simson, more respectful, rose and offered his small, grimy hand. Mary took his hat and cloak away from him and closed the door behind him. She felt his hands, and put him into a chair close to the fire. And then she introduced him to Joan. Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God.